RME FIREFACE UFX II

The first choice of Audio Professionals around the World With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller. RME’s Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with 18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with 19 dBu maximum output level provide ample output power and volume on any headphones – high or low impedance. Flexible Routing & Mixing with TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. DC-Coupled Outputs – CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called ‘AC-coupled outputs’, where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio – eating into headroom and potentially causing damage to other equipment – one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UFX II’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX , UFX II, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™ ANALOG AD, Line In 1-8, rear Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ 4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB Maximum input level: 19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and 4 dBu Input level for 0 dBFS @ Lo Gain: 19 dBu Input level for 0 dBFS @ 4 dBu: 13 dBu Variable digital gain: 0 to 12 dB Minimum level for 0 dBFS: 1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance @ 1 kHz: 3.4 kOhm Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA THD N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 % Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu Gain range: 75 dB Maximum input level, Gain 0 dB: 18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Output: 6.3 mm TRS jack, servo-balanced Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ 4 dBu: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz THD N: < -110 dB, < 0.00032 % Channel separation: > 110 dB Output level switchable Hi Gain, 4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: 19 dBu Output level at 0 dBFS @ 4 dBu: 13 dBu Output level at 0 dBFS @ -10 dBV: 2 dBV ( 4.2 dBu) Output impedance: 75 Ohm DA, Line Out 3-8, rear Resolution: 24 bit Dynamic range (DR): 115 dB RMS unweighted, 118 dBA Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz – 89 kHz THD: < -110 dB, < 0.00032 % THD N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum output level: 19 dBu Output: 6.3 mm TRS jack, servo-balanced Output impedance: 75 Ohm unbalanced, 150 Ohm balanced Output level switchable Hi Gain, 4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: 19 dBu Output level at 0 dBFS @ 4 dBu: 13 dBu Output level at 0 dBFS @ -10 dBV: 2 dBV DA – Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, 4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: 24 dBu Output level at 0 dBFS @ Hi Gain: 19 dBu Output level at 0 dBFS @ 4 dBu: 13 dBu Output level at 0 dBFS @ -10 dBV: 2 dBV Output impedance: 150 Ohm DA – Stereo Monitor Output Phones (9-12) As DA, but:  Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: 19 dBu Maximum output level at 0 dBFS, Low: 2 dBV Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, 10 dBu) Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA Output impedance: 2 Ohm   MIDI 2 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output DIGITAL Clocks: Internal, ADAT, AES, MADI, word clock Low Jitter Design: < 1 ns in PLL mode, all inputs Internal clock: 800 ps Jitter, Random Spread Spectrum Jitter suppression of external clocks: > 30 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz   DIGITAL INPUTS AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter when synced to input signal: < 1 ns Jitter suppression: > 30 dB (2.4 kHz) ADAT Optical 2 x TOSLINK, format according to Alesis specification Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz  Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 30 dB (2.4 kHz) SPDIF optical (ADAT2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 30 dB (2.4 kHz) Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp – 5.6 Vpp Lock Range: 27 kHz – 200 kHz Jitter when synced to input signal: < 1 ns Jitter suppression: > 30 dB (2.4 kHz)   DIGITAL OUTPUTS AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT 2 x TOSLINK Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz SPDIF optical (ADAT2) Format Consumer (SPDIF) according to IEC 60958 Sample rate 28 kHz up to 200 kHz Word Clock BNC Max. output voltage: 5 Vpp Output voltage @ 75 Ohm termination: 4.0 Vpp Output impedance: 10 Ohm Frequency range: 27 kHz – 200 kHz   GENERAL Power supply: Internal switching PSU, 100 – 240 V AC, 36 Watts Idle power consumption: 19 Watts Typical power consumption: 22-25 Watts Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19″ x 1.73″ x 8.5″) Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3″ x 1.73″ x 8.3″) Total depth: 240 mm (9.4”) Weight: 3 kg ( 6.6 lbs) Temperature range: 5° up to 50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing